Charlotte Brookes – Summer Residency 2021 & 2024
Friday, August 30th, 2024As a third-year Dance student at De Montfort University in Leicester, I have been fortunate to experience a journey shaped by both the challenges of Functional Neurological Disorder (FND) and the transformative power of dance. In 2021, I had the opportunity to participate in a collaborative summer residency between the National Youth Dance Company (NYDC) and Candoco Dance Company, which marked a pivotal moment in my life. At that time, dancing had become particularly difficult due to my recent FND diagnosis, and I found myself questioning my future in the field I had always been passionate about. However, the residency offered me more than just a chance to dance; it reignited my self-belief and gave me a newfound sense of confidence, especially when I realized there were dancers with similar challenges who were thriving.
The residency served as an empowering space where I was able to embrace my identity as a disabled dancer. As part of my BA (Hons) Dance degree, I sought to deepen this experience, so I reached out to NYDC regarding a potential placement. I was welcomed back with open arms to their 2024 Summer Residency, which provided a nurturing and inclusive environment that reminded me of why I love dance in the first place. Here, dancers are not only allowed but encouraged to express themselves freely and experiment with movement. The atmosphere is one of collaboration, where dancers—regardless of their physical abilities—work together to create solos and group pieces, supporting one another both emotionally and artistically.
The residency felt like a mini company, where like-minded individuals worked collectively to celebrate their differences. Artists and choreographers fostered an environment that encouraged experimentation, highlighting the unique qualities of each dancer. It was deeply comforting to be in a space where disabled dancers were not only accepted but celebrated for their abilities. In my past experiences, the dance world has not always been so welcoming. Unfortunately, there is still a great deal of prejudice within the industry. People sometimes find it difficult to believe that a disabled person, particularly one who uses crutches, could study dance at university level. There is often an assumption that disabled dancers are fragile or incapable of fully participating, which leads to exclusion—whether intentional or not. People shy away from sharing studio space, either because they fear causing harm or because they do not understand the scope of my abilities.
However, my experience at the Summer Residency reaffirmed the importance of creating supportive environments for disabled dancers. It is vital that spaces like these exist, where dancers are judged on their artistry and not on preconceived notions about their physical limitations. This residency was instrumental in helping me to develop my skills as a disabled dancer. It allowed me to break down boundaries, both in my own mind and within the dance community, and it facilitated meaningful connections with able-bodied dancers. I applied techniques such as improvisation and collaboration that I had been studying in theory, and I saw how they functioned in a real-world setting, helping me grow as a performer.
The residency also gave me the opportunity to apply my academic knowledge to a professional dance context. Many of the principles I have studied in my degree, such as movement theory and the dynamics of collaboration, were clearly at play within the structure of this mini company. The experience helped me bridge the gap between the classroom and the studio, reinforcing my belief that the two worlds are deeply interconnected. Looking forward, I hope to continue working with NYDC as I progress in my career. The support and acceptance I found within their residencies have been invaluable, and I am eager to carry these lessons into my future work as a dancer. I now feel more confident in my identity as a disabled dancer, and I am determined to use my voice to advocate for greater inclusivity within the dance industry. It is essential that spaces like NYDC’s Summer Residency continue to exist, providing future generations of dancers with the encouragement and freedom they need to fully realize their potential, regardless of their physical abilities.