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National Youth Dance Company

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Steppin’ Up: My NYDC Journey

Friday, March 7th, 2025

When I first got the call from NYDC offering me a place, and was asked not to tell anyone, I couldn’t help but smile and instantly call my family. This excitement stuck with me as I got on the train for my first residency and has continued to cling to me every trip since.

I could feel the nerves in the air as I stepped onto the coach, quiet words floating out of our mouths and shy smiles slipping around our faces. In a crescendo, our voices grew louder and louder; you would have thought everyone had known each other for ages by the time we got off. Getting to know one another was inevitable after we played ‘big booty’ – surprisingly, a number game! Eating together and living together over those first four days was a new experience for me, bringing us all closer together.

Our second residency in Birmingham was a real turning point for me. I set myself three goals: have fun, give lots of energy, and take every opportunity that comes my way.

Although challenging, I allowed myself to have greater confidence in my own ability as the week went on and volunteered to practise a harder routine. We also did a skill-sharing session, which was another opportunity to improve my group communication. My skill, creating origami butterflies, tested my own origami ability too as I finished off the hopeful attempts of my peers as they tried to meticulously fold each small bit of paper.

Over this residency, I learned that it’s okay to feel nervous, but it’s even better to step out of your comfort zone. I realized that it’s okay if I’m not perfect, as long as I’m working hard and taking those chances.

Our latest residency at Sadler’s Wells East was just as impactful. The Q&A with Kenrick and Mikey was incredibly insightful. They talked about transferring skills from other areas of life into dance, like artistic skills, and the importance of being resilient and believing in yourself. That really resonated with me.

The end-of-residency evaluation was also a great moment for reflection. I realised that I’ve learned it’s okay to take time for myself. We are pushed hard, and rest is important. I’m also incredibly proud of how much faster I’m picking up choreography now. It used to be a struggle, but I’ve noticed a real improvement from my first residency in Ipswich, to the second in Birmingham, and the most recent at Sadler’s Wells East.

Each session has been a whirlwind of creativity, challenges, and incredible moments. It’s been amazing to work with the Directors, Kenrick ‘H2O’ Sandy and Michael ‘Mikey J’ Asante from Boy Blue. I wanted to push my potential, dance alongside other young creators, and show everyone what I’m capable of. NYDC has allowed me to do that and more. It isn’t just a dance programme to me. It’s a community, a place where I feel supported and inspired.

I can’t wait to see how everything comes together for the premiere. It’s going to be an incredible experience!

Photo credit: Richard Lakos

Company Dancer Q&A

Tuesday, February 4th, 2025

When did you become interested in joining NYDC?

After reading about NYDC’s collaboration with Boy Blue in a blog post I knew I had to give it a shot and throw myself into an experience workshop. Although I had done ballet, street and contemporary previously, I had taken a huge break from dancing, so coming back at this point made me realise I had to give things a go and just go for it.

 

What was the audition process like?

Going to the first workshop in my hometown (Blackpool) was very scary as I had to show ‘me’. When I got the call inviting me to the final audition in London I was thrilled but also thinking to myself ‘okay, how and what do I do?’. I thought about the audition every second in the lead up to it, and when it came to it, I just did ‘me’. It was intense finding out if I had been selected, but when I got that email I was so so happy and had to get a screenshot. I had done it! I was going to be in the room working with two big companies that I’d seen on stage and on social media, and this time it would be me on stage in the picture as well!

 

How has it been working with NYDC and Boy Blue?

The work that Boy Blue put in into their craft is amazing. The way they do everything is so calm, professional and chill, that I question how they do it! The ways they rehearse and teach inspires me to become just like them one day. After that first residency I wanted to go back to experience it all over again. Alongside all the rehearsals, I get to experience a new training pattern, eating pattern, sleep pattern, and so much more. I realised it’s not just about dance and putting on a show – this is an experience I can take with me in the future. I love travelling around the UK to dance, eat, sleep, and repeat! This experience really is something else.

 

Any last thoughts?

Being part of NYDC Cohort 13 shocks me every time I say it. I still can’t believe I’m part of this company! Spending numerous days with a professional team and a company full of new friends is helping me gain the confidence that I’ve been wanting. The professionalism is outstanding and all the staff from NYDC are a dream to have. The experience so far alone has me in a state of ‘WOW!’. I cannot wait for our amazing awesome tour over the summer, and plan to take in every second of the experience.

 

Photo credit: Manuel Vason

The News is Out!

Friday, January 31st, 2025

National Youth Dance Company (NYDC), England’s flagship company for young dancers run by Sadler’s Wells, will perform at the Berliner Festspiele Theatre as part of Tanztreffen der Jugend in Berlin in September 2025. This will be the first time that NYDC has performed internationally and rounds off the 2025 tour of this year’s Guest Artistic Director Boy Blue’s new work for the company.

The Tanztreffen der Jugend aims to be a showcase and source of inspiration for the work of young dancers and choreographers. Founded in 2014 by the Berliner Festspiele, the national contest is the only format of its kind in Germany dedicated to young contemporary and urban dance in a stage context and aims to highlight and enhance them as independent art forms within cultural education.

NYDC has selected the intake for its 2024/25 cohort. With 33 dancers aged between 16 and 24 years old and hailing from 22 towns, cities and villages across England, from Newcastle to Falmouth, it’s a truly nationwide company. These young dancers have been working with Boy Blue on a new work, which will kick off the national tour with the premiere at Leeds Playhouse on Friday 18 April, before touring the country to Falmouth, Blackpool, Ipswich and London during the summer ending the tour in Berlin in September.

In July, Sadler’s Wells is to present the first edition YFX Youth Festival, a new annual festival which celebrates and showcases the exceptional range of youth work across the United Kingdom. NYDC’s performances in London will be part of the festival, with the London premiere of Boy Blue’s piece for the company at Sadler’s Wells Theatre on Saturday 19 July. On Friday 25 July NYDC will also be performing the work at the U.Dance National Festival which Sadler’s Wells East will be hosting this year as part of YFX.

The 33 dancers of National Youth Dance Company’s new cohort for 2024/25 are:
Yunus Ayhan (Bexhill-on-Sea), Sara Belal (Leeds), Kingsley Campbell-Golding (London), Orson Crane (Blackpool), Luke Curran (Lewes), Dylan Dennis (Blackpool), Dexter Duffy (Chorley), Mimi Etete-Edge (Brighton), Sheldon Golding (Enfield), Kasra Hastings (Lewes), Florence Hodgson (London), India Hurley (Brighton), Lucca Masters (Birmingham), Zak Michael Smith (Brighton), Thea Petrie (London), Blake Rainey (Blackpool), Dayang Safiya Isabella Abang Suhaili (London), Sonia Sansford (Colchester), Iona Statham (Falmouth), Nya Stewart (Manchester), Ada Trotman (Truro), Faye-Elise Walmsey (Newcastle), Hali Warsame (London), Ella Watson (Mirfield), Marshall Wilson (Macclesfield), James Airey (Chesterfield), Archie Bilsland (Ashford), Monét Brooks (London), Megan Chaytor Wilson (Durham), Francis Henry (Leeds), Luke James (Birmingham), Jacob Lincoln (Ipswich), and Rowan Williams (Frome).

Covering all regions across the country, 15 workshops took place between April and July 2024 to select the new members for the 2024/25 intake. All dancers are aged 16-24 and have a range of different dance backgrounds.

During the dancers’ time with NYDC, they are offered a unique insight into the dance profession, living and working closely together as a company, alongside NYDC staff and the artistic team. The year-long experience within the company provides members with the necessary skills and techniques to pursue career opportunities and raise aspirations, self-esteem and confidence. The dancers are mentored during four intensive residencies in school holidays to create and rehearse a new piece by the company’s Guest Artistic Director. The 2024/25 residencies will take place in Ipswich, Birmingham, London, Wakefield, and Leeds.

This year the company are working with Olivier Award-winning hip hop dance theatre company Boy Blue which was founded in East London in 2001 by Michael ‘Mikey J’ Asante and Kenrick ‘H2O’ Sandy. Boy Blue is a radical force that has defined the potential and power of hip hop dance theatre across the UK.

Kenrick ‘H2O’ Sandy Co-Artistic Director of Boy Blue said, “With NYDC it’s going good so far, it’s productive, the dancers are taking in the information, they are understanding what it is that we are trying to create with them. I’m excited to see how they take on the tour, regarding artistry and professionalism, and how they are able to sustain the actual piece that we are going to create with them. I think it’s a great opportunity for them to go to Berlin, I think anytime any young artist is able to come out of the UK and showcase their work, I think it’s a beautiful and humbling opportunity so I’m very proud that NYDC are able to go.”

Head of National Youth Dance Company, Hannah Kirkpatrick said, “This is a really exciting year for the company. It is brilliant to watch the dancers in the studio with the Boy Blue team, the work is really challenging but the artists have a huge amount of experience in working with young people and it’s great to see the magic happening over each residency. On top of a nationwide tour, including performances alongside the National Youth Dance Companies of Scotland and Wales as part of the U.Dance 2025 Festival, we are so excited to embark on our first ever international tour date.

Our performance in Berlin will be a brilliant opportunity for our dancers and a great way to highlight the importance of dance in England, each of our dancers represents their region and the wonderful programmes and training they have been able to access. We hope we will do you all proud!”

Nick McDowell, Arts Council Of England’s Director of International said, “Arts Council England is proud to support the first international performance by the English National Youth Dance Company in September 2025.  Based at Sadler’s Wells, the company exemplifies the best of young people’s dance, attracting talent from all over the country. They will perform in the iconic Berliner Festspiele Theatre as part of Tanztreffen der Jugend. Their visit follows performances by the German National Youth Orchestra across the UK in January 2025 augmenting cultural links between the UK and Germany ahead of the Germany-UK Treaty.”

Watch this space for further updates…

(Photo credit: Manuel Vason)

Nya’s Reflections on Residency 2

Thursday, January 30th, 2025

After just 10 days spent together, over the first two residencies of the year, Cohort 13 is really starting to feel like both a company and a family. The December residency was filled with fun, friendship and love, but it also had its challenging moments, with new experiences and opportunities for growth, development and improvement – taking part in a photoshoot, for example, and learning how to move for the camera, or else teaching a company warm up or leading a skill sharing session.

All of these moments have not only amplified my love of dance, but have helped to elevate me as a mover. Hip hop is a new dance style for me as I have previously trained primarily in contemporary. Exploring this with Boy Blue and getting to know their unique way of working has allowed me to flourish and has brought me to reflect on what I feel movement is at its very core for me – immense love for art and unconditional love for myself.

If I’m being very truthful, the rehearsal process this residency was nothing short of exhausting. With the fast choreography, intricate details and complex transitions, each of us had to ensure that when we were in the studio, we were 100% committed and present for both ourselves and those we were sharing the space with. Constantly drilling the material was frustrating and hard, yet, in the same breath, an extremely rewarding process. Seeing the product of our hard work coming together towards the end of residency was particularly special. From tiredness, sore feet and achy bodies grew high morale, resilience, memories and lessons to last a lifetime.

With this being said, Lara and Nathaniel (rehearsal directors for Boy Blue) really did work us to our limit, making sure we were still looking after ourselves during such an intense process. We were encouraged to take a minute when needed, to breathe, to take time to collect our thoughts, and prioritise self-awareness and self-care.

Our 30 minutes of ‘grace space’ each morning – which has been implemented into our rehearsal schedule since residency 1 – is a great example of how well we are taken care of by NYDC and the Boy Blue team. Not only do they tell us to look after our bodies, to give ourselves grace and be kind to ourselves, they have put this into action, giving us the space, knowledge and resources to do so. This half an hour allows us to set ourselves up for the day in whatever way we personally need. This can often look like mindfulness, stretching, mental rehearsal, massage, any type of personal warm up or journalling.

The company support and creative support team were nothing short of amazing as well, with someone always being there in or out of the studio to listen, and meet us with openness, advice, love and reassurance. We also got the opportunity to chat with a dance psychologist to talk about our mental health as young artists, and to have a screening with a physio who concentrated more on our physical health and fitness. We had a warm up and cool down masterclass during the week too, helping us to further develop our knowledge of safe practice in the studio.

During one of our evening Toolbox sessions we had a Q&A with the Boy Blue artists which gave us a lot of insight into the dance industry. Something in particular that really resonated with me was Lara talking about the importance of having clear boundaries as an artist, both for injury prevention and management, and self-preservation. To her, these boundaries include taking responsibility for yourself and having a sense of ownership over your work and your behaviour – focusing on what you can control and how you conduct yourself.  She explained how she approaches situations with a “Respond don’t react” attitude – a valuable outlook I am now trying to implement into all aspects of my life.

Lara has been a role model for me both inside and outside of the studio, and really puts her words into practice – it has felt so amazing and refreshing to see a woman in leadership, taking charge with power, compassion and vision. Nathaniel has also been an extremely powerful role model for me, and I really admired the way he conducted himself in the space – meeting us with transparency and grace whilst pushing us to achieve our full potential. The effect of this was incredible. I really saw my development as a dancer this residency, growing in resilience and strength both inside and outside of the studio.

Both Lara and Nathaniel cared for and acknowledged the personal development of each of us as dancers. And whilst Kendrick could not be with us this residency, Mikey carried enough wisdom for the both of them, always being present with us in the studio and setting our sights and hopes high for residency 3 when we will begin to develop the main body of the piece.

As much as the week was exhilarating and amazing, it also had its fair share of challenges. I think the biggest challenge I faced this residency was definitely overcoming my lack of self-confidence, allowing me to really come into my own and get out of it what I wanted – achieving my personal goals and being comfortable in my own skin.

As someone who started my dance training only a year ago, the prospect of working with and performing a piece by an award winning company like Boy Blue felt – and still feels – incredibly daunting. On top of this, NYDC cohort 13 is made up of 33 extremely talented individuals, all with their own ways of processing, regulating and working. Navigating a new social dynamic is just as challenging for me as the actual dancing itself, but through this, I have been able learn from my peers, whilst also learning a lot about how I like to work in the space and what I need in order to thrive. This has helped to shape me into the artist I’m continually developing and growing in to.

Since my journey with NYDC began, back at my first experience workshop in April last year, through to my second residency as a company member, I have found myself asking questions like: “am I silly to think I can do this with less experience than some of those around me?” “Am I talented enough to be here” “what if my presence in the space isn’t loud enough?” “What if I mess up?” Something I’m having to learn is that my inner monologue has value, and that I shouldn’t ignore it. Equally, I know that not everything I think and feel is a true, transparent reflection of me and my value. I’m so much more than the things that I struggle with – my self confidence, for example – and this doesn’t define what I bring to the company as a unique individual. Neither does it limit my artistry as a young person – and that is definitely something I’m going to take away from this residency in particular.

Despite being a dance company, being a part of NYDC means so much more than just being a dancer and performing on stage. I remember something Kenrick explained to us in the first residency that really stuck with me: “you’re presence is valued in the space. Whether you move or not, whether you dance or not”. Since then I have used this as a mantra for when things start to feel a little tough, both in and out of the studio.

In NYDC, you’re celebrated as an individual and are recognised for the light that you personally bring to the space, in whatever way this may manifest. Coming from such a diverse range of backgrounds, many of us in the company have other attributes and interests outside of dance, and for me, there’s something extremely beautiful about this. In fact, the diversity within each cohort was one of the very reasons I was so keen to join NYDC. And since starting my journey with this gorgeous company, I have learnt that it is safe for me to be myself, surrounded by individuals who have accepted me so gracefully, without a question or doubt.

Out of everything, this has impacted me the most: the sense of family, support, belonging and loyalty that is constantly present, and being able to see the care that NYDC holds for its members and wider community. Every evening, we end our rehearsal with a circle of thanks, where we hold hands and share our reflections from the day. What comes up most often at these times is gratitude, reassurance, motivation, our goals and aspirations, and a reminder the power we hold as a group. In other words, we always finish the day as we mean to go on- elevating each other and growing together, as a company.

I feel so privileged and beyond grateful to be a part of NYDC, and cannot wait to see where these next couple of months take me!

(Photo credits: Manuel Vason)

The Ballet boy meets Boy Blue…

Monday, January 20th, 2025

When I got the letter, after the rounds of workshops, to say that I had been accepted as a part of NYDC Cohort 13, my first thought was “Wow!….Boy Blue… They want me!” The second thought that quickly followed was “…but I’m a ballet dancer?!”.

Immediately I began to sit in self-doubt: Would I be able to keep up? Would my body – that was used to the linear nature of ballet – be able to adapt to the freer form of Hip Hop? Would my contemporary training be at all helpful in learning street influenced phrases? Were the styles really all that different? Dance is a universal language right?!

When I arrived at DanceEast for the first day at NYDC I was so nervous! I felt like I was different to everyone else and wasn’t going to fit in, as I came from a ballet and contemporary background, unlike most who (I thought) had trained in a range of hip hop styles from early ages. At first it felt hard to keep up and I felt like I wasn’t doing as well as everyone else. They all made it look incredibly easy picking up and executing choreography that we learnt in short periods of time in a studio that had a totally different energy to the classical studios I was used to.

The rhythm of the classes and the way that they were structured felt almost alien, with the high energy from the Boy Blue teachers and the speed at which they moved on from one task to another sometimes feeling overwhelming. In ballet you could spend a whole session focused on the smallest of steps, which feeds the perception that ballet is a promotion of conformity. Hip hop on the other hand can be viewed as a freer, more creative outlet. Boy Blue’s process and purpose are something that ignites you to push beyond the limits you set yourself.

Two residencies in, I don’t feel out of place at all. I now feel more comfortable dancing hip hop, and think I’m finding my own style within it, bringing all elements of my training into the room.

When I dance, I want to express and explore human emotions through movement and that is exactly the space that NYDC is holding for me. Kenrick, Mikey, Lara and Nathaniel encourage us to sit in what is uncomfortable, to let your inner child lead and to lean into the unknown. This felt risky to me to begin with as it felt too open, too wide, but I quicky learnt to give myself grace to explore and create. Don’t get me wrong, I am still finding my feet in hip hop, but everything doesn’t feel like a massive shock anymore. Looking back on the initial thoughts I had, I have learnt that not everything you do will be in your comfort zone and that you need to trust the process even if you can’t see how it’s going to turn out. My training in classical styles has been welcomed, championed and celebrated, which has not always been my story as a male ballet dancer amongst my non-dancing male peers.

I am super exited for the rest of the year and for the tour in June and July. I feel very privileged to share the stage with everyone at NYDC and be part of something so unique!

Photo Credit: Paul Hampartsoumian

Bella’s First NYDC Residency – October 2024

Thursday, November 28th, 2024

The start of my first residency at NYDC felt unreal. In the excitement of packing my bags the day before and preparing for the coach, I couldn’t quite get my brain to wrap around the idea that I was going to start this journey! However, stepping into an environment with such lively characters and shared emotions, Cohort 13 quickly felt like this family with an instant connection between us all.

Our first day began with a discussion on some of Boy Blue’s key methodologies. First, Kenrick and Mikey described the 3 E’s: Education, Entertainment, and Enlightenment. These words reflected how the team wanted to teach us and leave us by the end of the whole NYDC experience. The 3 F’s – Form, Formula, and Frequency – touched on how Boy Blue often look at and break down choreography. Finally, ‘Learning, Retention, Execution and Engagement’ were words that related more specifically to our own abilities and aspects of our dance practice that we could focus on in order to progress.

My first encounter with the 3 F’s was when learning the ‘hotstepping’ routines. To start us off, Kenrick and Lara taught a series of foundation moves (‘Form’), then gave each one a corresponding symbol. Like a puzzle, they then created a grid combining these symbols with different powers and numbers to represent the order that we would do them in (the ‘Formula’). I vividly remember everyone in the studio frantically taking photos of the grids at this point and trying to decipher the choreography! However, by the end of the residency, each grid became a lot easier to untangle and we were all able to figure out the routines without too much difficulty.

Getting used to the grids definitely challenged how I process information and the way I think about learning movement. The way I create movement was also pushed over these first four days. From using wood tiles with scribbles on them, worded dice, character cards and even an elastic band, each object pushed me to freestyle using unfamiliar methods. Ken always spoke about embracing the inner child to play in dance. So through boredom he discovered these new interesting ways to make material. When made to stay in ‘the uncomfortable’ during these atypical choreographic processes, I found ideas I would have never reached alone. All the while I felt like a curious kid once again exploring dance.

There were a few struggles over the four days, but the biggest one for me was dealing with an injury. I had fractured my toe prior to the trip so had been anxious thinking about how I could engage with rehearsals whilst still prioritising my recovery. Thankfully, NYDC’s incredible team supported me in more ways than I could have asked for. Nya, a member of the Creative Support team, assisted me during classes, helping me learn a lot about how to dance safely while dealing with an injury. This involved things like altering my warm ups, and adapting the hotstepping routines so I could dance while sitting down. Outside of the studio, John, who is part of the Company Support team, always offered a safe space to talk with kindness and no judgement. They taught me that it’s ok to sit out and observe when you need to and that I should always listen to my body.

This care that NYDC holds for its dancers can be seen in all aspects of our daily schedule. I was surprised by the use of 30min every morning to prepare us for the day (independently), the Zen for 10 sessions in the evening, and the time-managed breaks to reflect or simply recharge. I always thought of self love and discipline as two things on opposite ends of a balance scale. However, being with NYDC and Boy Blue, I have learnt differently. Giving grace to myself whilst pushing myself out of my comfort zone are two things that can coexist and work together to help me grow as a performer. This is a lesson I will take with me throughout my life.

I can now fully say this journey feels real and I’m so excited for the next residency in December!

Photo Credit: Paul Hampartsoumian

Megan’s First Residency with Boy Blue – October 2024

Wednesday, November 13th, 2024

 

 

Over the four days I learnt a variety of things, some more individual to the process with Boy Blue and some to take with me throughout my own training back home. Kenrick and Mikey started our process with a lesson on what is Boy Blue and how do they create work. The 3 Fs (form, formula & frequency) touched on how a piece is formulated, while the 3Es (education, entertainment & enlightenment) touched on what should be taken away from a piece by the audience. Within this session what stuck out to me the most was the words used to describe our own process during the week (and generally in dance): learning, retention, execution, and engagement. I saw these in action in others and myself, allowing me to fully relax and trust the other elements of Boy Blue’s ‘theory’.

We also learnt practical based lessons, such as the foundations of hotstepping, then developed these into more complex combos, isolation combos, and groove combos: building a solid repertoire as an introduction to this way of moving and collaborating. This movement was then developed into a mini mock up of a piece during the last day so we could experience what was to come in future residencies.

The practical lesson that stood out to me most was on I AM (individual artist movement), where we experimented with different stimuli to see what felt most natural/unnatural and what we’d like to explore more, using a SWOT analysis (strengths and weaknesses, opportunities and threats).

As much as there were highs to the week, there were also challenges. Navigating a new style of movement amongst a new social dynamic was challenging, however the empathy and collective respect in the room allowed me to overcome even the most daunting of tasks – there was always someone happy to help or to lend a shoulder to cry on.

 

Charlotte Brookes – Summer Residency 2021 & 2024

Friday, August 30th, 2024

As a third-year Dance student at De Montfort University in Leicester, I have been fortunate to experience a journey shaped by both the challenges of Functional Neurological Disorder (FND) and the transformative power of dance. In 2021, I had the opportunity to participate in a collaborative summer residency between the National Youth Dance Company (NYDC) and Candoco Dance Company, which marked a pivotal moment in my life. At that time, dancing had become particularly difficult due to my recent FND diagnosis, and I found myself questioning my future in the field I had always been passionate about. However, the residency offered me more than just a chance to dance; it reignited my self-belief and gave me a newfound sense of confidence, especially when I realized there were dancers with similar challenges who were thriving.

The residency served as an empowering space where I was able to embrace my identity as a disabled dancer. As part of my BA (Hons) Dance degree, I sought to deepen this experience, so I reached out to NYDC regarding a potential placement. I was welcomed back with open arms to their 2024 Summer Residency, which provided a nurturing and inclusive environment that reminded me of why I love dance in the first place. Here, dancers are not only allowed but encouraged to express themselves freely and experiment with movement. The atmosphere is one of collaboration, where dancers—regardless of their physical abilities—work together to create solos and group pieces, supporting one another both emotionally and artistically.

The residency felt like a mini company, where like-minded individuals worked collectively to celebrate their differences. Artists and choreographers fostered an environment that encouraged experimentation, highlighting the unique qualities of each dancer. It was deeply comforting to be in a space where disabled dancers were not only accepted but celebrated for their abilities. In my past experiences, the dance world has not always been so welcoming. Unfortunately, there is still a great deal of prejudice within the industry. People sometimes find it difficult to believe that a disabled person, particularly one who uses crutches, could study dance at university level. There is often an assumption that disabled dancers are fragile or incapable of fully participating, which leads to exclusion—whether intentional or not. People shy away from sharing studio space, either because they fear causing harm or because they do not understand the scope of my abilities.
However, my experience at the Summer Residency reaffirmed the importance of creating supportive environments for disabled dancers. It is vital that spaces like these exist, where dancers are judged on their artistry and not on preconceived notions about their physical limitations. This residency was instrumental in helping me to develop my skills as a disabled dancer. It allowed me to break down boundaries, both in my own mind and within the dance community, and it facilitated meaningful connections with able-bodied dancers. I applied techniques such as improvisation and collaboration that I had been studying in theory, and I saw how they functioned in a real-world setting, helping me grow as a performer.

The residency also gave me the opportunity to apply my academic knowledge to a professional dance context. Many of the principles I have studied in my degree, such as movement theory and the dynamics of collaboration, were clearly at play within the structure of this mini company. The experience helped me bridge the gap between the classroom and the studio, reinforcing my belief that the two worlds are deeply interconnected. Looking forward, I hope to continue working with NYDC as I progress in my career. The support and acceptance I found within their residencies have been invaluable, and I am eager to carry these lessons into my future work as a dancer. I now feel more confident in my identity as a disabled dancer, and I am determined to use my voice to advocate for greater inclusivity within the dance industry. It is essential that spaces like NYDC’s Summer Residency continue to exist, providing future generations of dancers with the encouragement and freedom they need to fully realize their potential, regardless of their physical abilities.

Alumni Blog : Adanna

Wednesday, March 2nd, 2022

Ever since I was young, I always knew being a dancer was a creative place for me to express how I thought, felt, even battling my inner saboteur. Whether it was on stage or even behind it, the theatre was always an environment that I naturally gravitated towards. I never understood why I like theatre so much as a kid but there is something whimsical about spending a night at the theatre and feeling like you belong.

I remember like it was yesterday, I had gone to Sadler’s Wells before with my college for other dance shows, but this was exciting and different going to see NYDC Michael Keegan-Dolan In – Nocentes, my friend was in the performance. This day was a pivotal moment for me, because seeing those young dancers that I could related to; breathing, dancing, syncopating in time as one huge professional unit was something in my dance life that I always wanted to be at a part of. I knew that I wanted to do the exact things that they were doing. I felt the energy of the dancers even though I was in first circle. After the show in awe of what I just witness, on the way home I sat on the tube headphones in, music on visualising my own movement, my own style and feeling sensations of creative I was determined to seize my moment of being able to perform at Sadler’s Wells Theatre.

At this stage in my young career, I was slowly growing out of my timid shell and really started to embrace my identity as a dancer. When I first heard about NYDC I was still in college studying dance and I was already a part of another youth dance company, but I wanted to do more and challenge myself into gaining new experiences, expanding my dance vocabulary, making friends and future networks. I remember my audition process; I was such a nervous wreck because I knew I had the passion and movement quality with room to grow. It was a hard audition because within the whole process I discovered a new quality of moving that made me feel more unique and curious to explore.

The day I found out that I was going to be a part of NYDC I was in such a state because I was convinced that I wasn’t going to get it. I guess at the time people around saw my potential more than I did. I was going to work with Damien Jalet an amazing international choreographer and his team of special artists.  Once I settled down, I embarked on my NYDC experience and it was one of the most eye opening, sweatiest, and expressive things I had ever done. During my time with NYDC I really enjoyed the moments where we would have scheduled time to reflect and digest about the day or even the experience. Here are somethings I wrote down to keep me grounded and motivated.

Quotes for my NYDC dairy – age 16

“You are truly enough, and the best is yet to come.”

“NYDC is a place for me as young person to capture every moment and dance like no other person like you.”

“You have the talent, the creativity and the ability to do great things.”

“POWERHOUSE.”

I still live by these quotes today entering my adulting years because they remind me of where I once was and where I’m heading. However, when the pandemic became global last year, I honestly didn’t know what I wanted to do or where I wanted to start. I knew I wanted to work behind the scenes in the arts to explore and gain more knowledge on how theatres operate.

When I say the STEP internship programme found me, I didn’t find it I was so happy to see a job ad for Sadler’s Wells Theatre for Producing and Touring Intern, Learning & Engagement Intern. I applied for both in hopes to get either one because I knew how I wanted to absorb any job role to best of my abilities.  It was full circle moment for me when I was going through the interview process and got through to final rounds and had been offered the Learning & Engagement Intern role till this day, I’m still in a bit of shock but also extremely humble realising that I now work with Sadler’s Wells.

The things I want to achieve on this internship are going carry me into every Career milestone I reach, I want to be more confident in my communications skills, believe it or not I do struggle with verbal exchange and in this stage in my life being on this internship will challenge me to do more of this. I also desire to be a black arts dance producer of contemporary fusion creations that will evolve a message of cultural unity and love, I still love to dance and want to explore my movement vocabulary more by having this goal in mind and experiencing this amazing opportunity I have access to people with the knowledge, I’m seeking and doesn’t get better than that. Lastly, to travel and still do work that I’m passionate about as well dancing and meeting new people. I do have my eyes on New York and Japan two completely different places, but both have such rich cultural opportunities that I’ve always dream of making homes there, I now know my journey has endless opportunities for me waiting to be discover and explore. After all the world is my oyster.

Save the date(s)!

Wednesday, September 16th, 2020

NYDC has a lot of activity coming up the next few months of 2020 and we’d love for you to get involved. Have a look below for dates to save in your diaries, and keep checking our pages as more info gets announced soon:

SEPTEMBER: There will be 2 short taster workshops (26 Sep & 28 Sep) delivered over Zoom, led by some of our incredible NYDC alumni. Gain insight into the NYDC experience and learn more about how to get involved in our workshops in October.

OCTOBER: Want to be a member of NYDC and work with Guest Artistic Director, Alesandra Seutin? Come dance with us and meet the team by attending a workshop happening in-person around the country, or for the first time ever this year, we will also hold 1 workshop digitally! Dates for your diary: Leeds (Sun 04 Oct), Falmouth (Sat 10 Oct), Newcastle (Sat 24 Oct), Ipswich (Mon 26 Oct), Online Digital Workshop (Mon 26 Oct), Nottingham (Tue 27 Oct), Brighton (Wed 28 Oct), Bristol (Thu 29 Oct), Birmingham (Sat 31 Oct), London (Sun 01 Nov). Registration forms are live now, click here. 

NOVEMBER: NYDC will hold an audition on Sat 14 Nov at Sadler’s Wells in London. A few dancers from every workshop will be invited to this day, which is a brilliant opportunity to meet like-minded dancers from all over England.

DECEMBER: The 2020-21 cohort of NYDC will begin their first residency with choreographer, Alesandra Seutin….

 We can’t wait to meet you all!

Photo: Stephen Wright

About Hofesh Shechter

Choreographer and composer Hofesh Shechter OBE is Artistic Director of UK-based Hofesh Shechter Company, Co-Director of the L’Agora – Cité internationale de la Danse, Montpellier, Associate Artist of Sadler’s Wells and Artist-in Residence of Gauthier Dance (2021-2026). Shechter is recognised as one of the most exciting artists making work for both stage and film and renowned for composing atmospheric musical scores to complement the unique physicality of his movement style.

Hofesh Shechter’s repertoire for his company includes Uprising (2006), In your rooms (2007), The Art of Not Looking Back (2009), Political Mother (2010), Political Mother: The Choreographer’s Cut (2011), Sun (2013), barbarians (2015), Grand Finale (2017), SHOW (2018), POLITICAL MOTHER UNPLUGGED (2020) Double Murder (2021), Contemporary Dance 2.0 (2022), From England with Love (2024) and Theatre of Dreams (2024).

Shechter has choreographed for theatre, television and opera, notably at the Metropolitan Opera (New York) for Nico Mulhy’s Two Boys, on Broadway for Bartlett Sher’s Fiddler on the Roof, at the Royal Court for Motortown and The Arsonists, at the National Theatre for Saint Joan and for the Channel 4 series Skins. Shechter has directed three award-winning short dance films: Clowns, broadcast by the BBC, POLITICAL MOTHER: The Final Cut and Return.

He has received many awards including the British Theatre Institute’s Award for Excellence in International Dance (2011), a Tony Nomination for his work on Fiddler on the Roof (2016), nominations for an Olivier Awards for Best New Dance Production for Grand Finale (2018) and Theatre of Dreams (2024) with Best Theatre Choreographer for Oedipus (2025) and Best Dance Film at Festival de Cannes (2023).  In 2018, he was also awarded an honorary OBE for Services to Dance and Chevalier des Arts et des Lettres in 2026.

About Hofesh Shechter Company

Hofesh Shechter Company founded in 2008, is a boundary-breaking dance company that produces exceptional work created by Artistic Director Hofesh Shechter OBE, with, at its core, an extraordinary company of internationally diverse dancers. Hofesh Shechter Company has performed in cities around the world including Paris, New York, Melbourne, Tokyo, Berlin, Montreal, Rome, Seoul, Rio de Janeiro and many more. 

Central to its belief that dance can bring about meaningful change, is Shechter Moves the company’s learning, engagement and development programme. Primarily aimed at young people age 14+, this programme shapes opportunities for everyone to experience the life-enhancing potential of their creativity. Hofesh Shechter Company is Associate Company of the Brighton Dome.

Zak Michael Kwaku Smith

Zak is a 17-year-old dancer from Brighton. He has been training in ballet since the age of three and is now training at the PreVoc course at Rambert. Zak is in his second year at NYDC and hopes to gain even more skills. He is auditioning for dance schools such as The Place, Central School of Ballet, Northern School of Contemporary Dance and Rambert School. In the future he wants to be a professional dancer in ballet, contemporary or hip hop styles.

Zachary Turner-Powell

Zachary is a 17-year-old dancer from Birmingham. He was at Ace Dance and Music for 11 years as well as a current dancer at Marshon Dance academy. He has been passionate about the arts from a young age and has been developing his skills from dancing with several different choreographers. He was introduced to NYDC through many different sources and believes it’s an amazing opportunity to understand what professional life as a dancer is like. He currently studies music at college and aspires to be either a sound engineer or choreographer.

Sona Jawara

Sona is a dancer from Newcastle who has been training at Dance City in Newcastle for four years on the CAT* programme and has spent most of her life doing sports. She started doing acrobatic gymnastics, which has helped her with her flexibility and determination to do well when it comes to training and performances. She has never performed a show on this scale and is very excited to be a part of the piece and is grateful to be given the opportunity to show her talent.

Nya Stewart

Nya started off as a self-taught dancer until she was accepted onto the Lowry CAT* scheme in Manchester at the age of 16, where she now continues her formal training in contemporary and ballet. She has a deep passion for movement, and in the future hopes to use this as a tool to help others and bring love and connection to the community around her. This is Nya’s second year with NYDC and getting the chance to work with Alleyne Dance has been an absolute dream!

Michael Omoruyi

Michael is an 18-year-old dancer from Blackpool. He started dancing around age four with traditional styles such as ballet, tap and modern. At the age of eight he then discovered and trained in hip hop with House of Wingz. He is also a fashion student and hopes to use his newly found creative outlook to be successful in both fields.

Lucy Bosworth

Lucy Bosworth is a 16-year-old dancer from Leicestershire. She is currently working on her diploma year for her BTEC in performing arts at Studio 79. Outside of college, she has been attending weekly sessions at CYCC and CAT* Nottingham. NYDC has helped her find a good balance between finding individuality and unity throughout the company. One of her strengths is her connection to musicality, as she grew up singing and playing the piano. She is specifically interested in storytelling, inspired by her previous experiences watching performances, and hopes to perform on more stages in the future.

Lola Mair

Lola is a dancer from Sheffield who has spent most of her life dancing. She is currently in her final year of CAT* having been trained by the Northern School of Contemporary Dance and is also a member of the One Dance UK Young Creatives programme. Lola hopes that her NYDC experience will further equip her with the skills, insight, and professional understanding necessary to build a sustainable career within the contemporary dance industry.

Liv Midgley

Liv is from Cambridge and began dancing at three years old. She has always been movement-oriented, and dance is an essential part of her life as a mode of expression. Liv is particularly passionate about the positive impacts of dance and hopes to be able to help more people gain access to the joys she experiences when dancing. NYDC has given Liv the chance to push the boundaries of dance and delve into the creative process, broadening her understanding of the profession.

Lily Alba Reyes

Lily is a 16-year-old dancer from Nottingham. She has been training weekly with Fabric CAT* Nottingham, Curve Young Company and Linden Youth for over four years. She has enjoyed many performance opportunities and worked with dancers and choreographers who have helped develop her as a dancer. Lily feels that her NYDC x Alleyne Dance experience provides a unique opportunity to train and tour with a company and help her prepare for a professional career.

Lewis Cuming

Lewis is a 17-year-old dancer from Preston. He began dancing at the age of six, initially training in Freestyle Hip-Hop before going on to develop his skills across all major dance styles. Lewis trains at Tracy Rigby Dance and Fitness and Rare Studios Liverpool and regularly takes open classes around England to continue expanding his versatility and experience. A notable highlight of his training journey includes taking class with Luther Brown. Lewis is excited to be part of NYDC and hopes the experience will support his ambition of becoming a professional backing dancer and travel the world through dance.

Kitty Crook

Kitty is an 18-year-old dancer from Devon. She has immersed herself in creative dance from a young age and has progressed through the Exeter CAT* programme, UAL Dance Course at Exeter College and is now taking it further with NYDC x Alleyne Dance. She is an aspiring dancer and potential choreographer. Her main goal in life is to pursue creative involvement in all that she does.

Kenya Bowry

Kenya is a 17-year-old dancer from Leeds and has been dancing since she was seven years old. She attends weekly classes at RJC Dance and is going into her 5th year on the CAT* scheme at Northern School of Contemporary Dance. Through this, she has performed at events like UDance and FRESH and has gained many opportunities working with different companies. She hopes that this experience with NYDC x Alleyne Dance will enhance her performance skills to prepare her for a career in dance.

Jonathan Dyer

Jonny is a 17-year-old contemporary dancer from London. He started with local ballet classes at the age of seven, and over the years has moved through a range of contemporary and hip hop classes, which have helped him find his own style that he continues to expand throughout NYDC. Jonny currently dances for Trinity Laban Youth Dance Company once a week. For Jonny, NYDC has been a beyond amazing experience and is making him dream big about what a future dance career could look like, potentially starting with vocational training.

Jay Phillips

Jay is an 18-year-old contemporary dancer from Berkshire. He studies on the CAT* scheme at Trinity Laban and is now completing his fifth year of the course. He also trains at Strodes College and Wentworth Dance Centre. Jay uses his hip hop background and contemporary training to create movement and in the future hopes to use these skills to choreograph pieces for stage.

Jack Shelton

Jack is a dancer from Washington, near Newcastle. Two years ago he joined Gosforth Civic Theatre Company, and prior to that performed at Barbara Priestman Academy. With them, he took part in Making Moves at Sadler’s Wells and learned various dance styles. Jack joined NYDC to help fulfil his dream of becoming a professional dancer.

Isla Morris

Isla is 17 and from London. She has been attending dance classes from a young age, and her ambition is to become a professional dancer and choreographer. She currently trains at Rambert PreVoc and Dulwich Ballet School, and is a member of hip-hop dance company BirdGang with whom she performed at last year’s Breakin’ Convention at Sadler’s Wells. Since 2023 she has been studying and training full time at The Brit School. Through her past and current training and now with NYDC, Isla continues to strive to improve her skills and versatility as a dancer. Delighted and honoured to be part of this current cohort, she is excited for the tour and everything NYDC has to offer.

Isabelle Cerna

Izzy is a 17-year-old dancer from Exmouth who has been dancing since she was five. She studies an Extended Diploma in Dance at Exeter college and started in contemporary with Chhaya Youth. She also trains in musical theatre. She hopes to complete a musical theatre degree and work on stage in dance and musical theatre. She hopes that NYDC will help continue to inspire and fuel her passion for contemporary dance, as well as give her the opportunity to meet like-minded people and perform such a powerful piece.

Hannah Tittle

Hannah is an 18-year-old contemporary dancer from Rye who began dancing from a young age at a local studio, attending ballet and modern classes. She is now studying an RSL diploma in dance at her sixth form and trains as a member of Jasmin Vardimon Youth Company. Hannah enjoys the collaboration and diversity NYDC has to offer, blending and exploring different movement styles alongside her own. She is eager to take the skills she is developing with Alleyne Dance to continue her training next year at Northern School of Contemporary Dance and beyond.

Emmanuel Owusu-Boachie

Emmanuel is an 18-year-old dancer from London whose passion has always been to portray himself through movement. From the age of 11-13 he performed in the West End with School of Rock and toured with The Bodyguard The Musical. He has now extended his skills by training with places like Rambert pre-pare, Artistry Youth Dance and Trinity Laban Youth Company. He continues his training with Boy Blue Adult Company, Trinity Laban CAT* program and GSB. He wanted to join NYDC to strengthen his contemporary skills and to experience what it feels like to enter the professional world while being able to combine his multiple disciplines. His future goal is to share his language through movement and more with the world.

Elliot Twum

Elliot is an 18-year-old dancer from Leeds. He has been dancing since the age of nine at local dance clubs and currently trains at CAT*, Northern School of Contemporary Dance. He studies at CAPA college and is part of One Dance UK’s Young Creatives Programme. Elliot hopes to gain skills to elevate his artistry and go on to pursue a successful career in the dance industry and believes NYDC x Alleyne Dance is the exact opportunity to do that.

Ellie Bamber

Ellie is from Thornton-Cleveleys. She has danced with Dance Syndrome in Preston for five years and as of 2025 became an employed dance leader for the company and a youth role model. Ellie has a passion for many dance styles such as commercial, street dance, ballet, lyrical and jazz, but her favourite style is contemporary. Outside of dance Ellie also trains in aerial hoop and loves swimming. If Ellie summed up NYDC in three words it would be fun, challenging and creative!

Dylan Duharty

Dylan started dancing at his local sports centre. From there he joined street dance classes at his primary school and went on to join Zoonation and Boy Blue. He attends Central School of Ballet, Rambert PreVoc, Khoronos and BirdGang. He is currently at The Brit School and is also a cygnet with Matthew Bourne’s New Adventures. Dylan is excited to join NYDC and learn from the brilliant Alleyne Dance and make friends with other dancers from around the country.

Daniel Cort

Daniel is a 17-year-old dancer from London. He started dancing at the age of five doing ballet at the Royal Academy of Dance. He currently attends The Brit School as well as attending weekly classes at Rabert PreVoc, Central School of Ballet and BirdGang to allow himself to be a diverse dancer. Daniel has been on stage before, including being part of a professional national touring production of Motown the Musical, and is hoping that his participation in NYDC will allow him to develop his performing skills and mature into a capable industry professional.

Coco Missen

Coco is a 16-year-old dancer from Brighton. She has been dancing for Project Female UK from the age of 14, focusing on hip hop fusion and commercial dance. She also attends Advanced Streetdance Collective through Project Female. NYDC has helped Coco train in contemporary dance, which is new for her. She hopes NYDC will help her gain insights into what working at a professional level and touring is like.

Charlie Ratcliffe

Charlie is a 16-year-old dancer from Blackpool. He started his dancing journey at the age of four and thanks House of Wingz for being a big part of this. He is also currently taking triple music BTEC at sixth form playing the drums and DJs on the side. Being part of NYDC is one of the best opportunities Charlie has had in his life so far and he feels like it has given him the ability to try a new style and express himself in a way that he didn’t think was possible. His future goals are to either be a successful Afro house DJ or a professional hip hop battle dancer.

Antony Dearlove

Antony is a 17-year-old dancer from Bournemouth who has attended dance classes with Lawlor School of Dance since the age of 11. Since then, he has been part of the CAT* scheme at The Place for four years, where he trained in contemporary and ballet techniques, as well as gaining more confidence with improvisation. He was a member of Hampshire Youth Dance Company for two years, which gave him both insight into dance as a career and many performance opportunities – something he wishes to further through NYDC. He is now a member of Rambert School’s Pre|Voc programme and hopes to either go into vocational dance training or study medicine at university.

Amelie Poulter

Amelie is an 18-year-old dancer from Lewes who has grown up dancing at SLH Dance Academy. She now trains in contemporary styles with Project Female and at college, where she is studying A-level dance and performs in BHASVIC Dance company. Alongside her passion for dance, she trains as both a competitive and artistic swimmer. Amelie hopes her experience in NYDC with Alleyne Dance will allow her to explore her creativity whilst working with a diverse range of dancers, in addition to preparing her for full time training next year at Northern School of Contemporary Dance.

Amelia O’Hanlon

Amelia is a contemporary dancer in her last year of sixth form. She is studying A level dance at High Storrs School in Sheffield. Before joining the CAT* scheme at Northern School of Contemporary Dance in 2021, her training was mainly commercial and urban based, where she was part of a youth crew ‘CARBON’ at INK Dance Sheffield. NYDC has helped Amelia grow and develop her artistic style while making connections she’ll keep for life. She hopes to go into full time training next year and take with her the skills she has learnt during her time in NYDC.

Amelia Leone

Amelia Leone is an 18-year-old dancer from Middlesbrough who taught herself using YouTube videos from her favourite choreographers. She started performing in 2022 with some of her own choreography before becoming a semi-professional dancer. She has choreographed for local carnivals, festivals and events, before getting involved with TeesDance Youth Company, which she has been a member of since late 2024. Now she is looking to start an accessible and inclusive dance company to improve the dance community in her hometown.

Aimée Morgans

Aimée is 18 years old and started gymnastics at a young age. She then went on to find her passion for dance at GCSE and then further while doing A-levels. NYDC has pushed Aimée out of her comfort zone and she has immersed herself in the world of dance. She is really looking forward to being able to perform on a stage for a large audience. In September, she is going to study dance at university with hopes to later pursue a career within dance.

Abri Holmes

Abri is a Kent based Dancer, Inclusivity Advocate by lived experience and Climber that spent her early years training in gymnastics, ballet and Scottish Highland Dance. She continued dance training with Prima Associates with Prima Stage School, English Youth Ballet, Trinity Laban CAT; before restarting training with National Youth Ballet ‘All In’ as a dancer + young leader, and now NYDC. These experiences have been foundational building blocks for her and have further fuelled her passion for bringing her personalised expression of inclusive dance to the stage.

Her time as part of NYDC’s 14th Cohort continues to inspire and offer her the opportunity to broaden her dance skillset through the exploration, adaptation and translation of creative movement – Abri believes that dance can be a space where barriers are redesigned and our artistry can evolve as we do.

When not dancing this creative can be found enjoying art in its many forms: painting watercolours, creating digital art, drawing, singing, attending theatre performances or free dancing to her favourite songs.

Rowan Williams, Frome

Rowan is from Frome in Somerset. His dance journey began only recently when he started to dance at college. He joined NYDC as a company dancer in 2023, working under choreographer Oona Doherty and performing in NYDC’s 2024 production ‘Wall’. Now in his second year with the company, Rowan has decided to venture into the work of hip hop dance theatre once he finishes college.

Jacob Lincoln, Ipswich

Jacob began dancing when he was really young, starting out with ballet, tap and contemporary. He decided to stop dancing aged 10 to devote more time to sports, but rediscovered his confidence and love of dance aged 17 when he joined the CAT* Scheme at DanceEast. Now in his second year of NYDC, Jacob’s confidence and passion for dance just keeps on growing.

Luke James, Birmingham

Luke started dancing aged 4 and has trained in many different styles such as street, Hip Hop, House, commercial, contemporary, ballet, afro fusion and jazz. He currently trains at Marshon Dance Company and Birmingham Ormiston Academy but has also worked with companies such as the Hippodrome, Zoonation Youth, Ace Dance and Music and more. His main dance inspirations are creatives like Paris Goebel and Les Twins and he looks to be a performer and choreographer to the stars.

Francis Henry, Leeds

Originally from Leeds, Francis has danced ever since he could walk, joining inclusive dance company MeshDance in 2009, and starting at Mind The Gap’s full-time Performance Academy last year. He is now in his second year with NYDC and is loving pushing his skills and ability as he works alongside Boy Blue. He would love to pursue a professional dance career on stage so hopes this is a springboard to reach the next step.

Megan Chaytor Wilson, Durham

Megan is from Durham and trains in ballet and contemporary at Tinarts and DanceCity CAT*. Being in her second year with NYDC, Megan has learnt many lessons about collaboration, conservation, varying dance styles and giving herself and others grace. In the future she hopes to train at a dance conservatoire and have a career in choreography and teaching. 

Monét Brooks, London

Monét’s dance journey began at the age of three when she started ballet lessons at Siegeris Dance Company. She dedicated thirteen years to ballet before joining Artistry Youth Dance Company, where she practiced Horton technique and jazz. After that, Monét trained in street dance and modern styles at Twiin Dance Company and Agency. She is now preparing to attend university this September to further her dance training.

Archie Bilsland, Ashford

Archie has danced since he was 3, starting in Ballet. He has since achieved Distinction in his Level 3 Diploma in Dance (Canterbury College), and two years on the CAT* programme at Trinity Laban. He has returned to NYDC after cohort 12 where he worked with Oona Doherty which helped him deepen his interest in Contemporary, improvisation and helped him grow as a performer. He wants to continue this with Boy Blue, pushing himself to attack Hip-Hop, a less familiar style to him.

James Airey, Chesterfield

James (‘Slayer’) is from Chesterfield. He started dancing when he was 8 and entered his first battle at 9. Since then has won numerous titles in popping and all styles categories and at 15 he became the youngest ever open world modern jive champion. James is in his second year at NYDC and intends to pursue a degree in dance after he has completed his A Levels.

Marshall Wilson, Macclesfield

Marshall is a contemporary and hip-hop dancer from Macclesfield. For him, dance is something that can be appreciated emotionally and physically, both with and without music. He describes his journey with Boy Blue and NYDC as both frustrating and inspiring, and wishes the experience could last forever!

Ella Watson, Mirfield

Ella is from Mirfield and is currently training in dance at CAPA College. Her main styles are contemporary and commercial but she is enjoying the challenge of learning a new style as part of her NYDC journey, and feels it has pushed her to grow both as a performer as a person.

Hali Warsame, London

Hali is a self-taught dancer who has spent most of her life dancing in her bedroom. She is now completing a GCSE in dance and gaining more exposure to the dance industry through NYDC. Hali considers it a privilege to have this opportunity, having always dreamed of dancing on a huge stage for a popular artist. She is looking forward to performing like she never has before!

Faye-Elise Walmsey, Newcastle

Faye-Elise has trained in numerous dance styles ranging from commercial, waacking, Krump, ballet, lyrical and contemporary. Her favorite styles to dance are hip-hop and is specifically drawn to the style of popping, but she also enjoys freestyling and creating her own movement. Working with Boy Blue through NYDC has impacted the way Faye-Elise thinks about dance and has encouraged her to treat herself and others with more grace. She hopes to continue dancing in the future, and travel the world while doing it!

Ada Trotman, Truro

Ada is 17 and is from Cornwall. She has had an unforgettable experience working the Boy Blue, NYDC and her fellow Cohort 13 company members, and will forever be grateful for the opportunity. Ada trains mostly in jazz dance but has always loved hip-hop and has had an amazing time exploring Boy Blue’s unique style and expanding her movement vocabulary.

Iona Statham, Falmouth

Iona is a 16 year old contemporary dancer from Cornwall. She has been dancing since she was 6 and can’t help moving to music! NYDC has been a great experience for Iona, giving her the opportunity to learn a whole new dance style as well as building great stamina, discipline, and resilience. She says it has helped her grow as a person in so many ways she would never have expected.

Nya Stewart, Manchester

Nya started off as a self-taught dancer, until last year when she was accepted onto the Lowry CAT scheme in Manchester, where she began her formal training in contemporary/ballet at age 16. She has a deep passion for movement, and in the future hopes to use this as a tool to help others and bring love and healing to the community around her.

Sonia Sansford, Colchester

Sonia grew up in Colchester and started dancing aged 7. She enjoys a range of dance styles including contemporary and African dance techniques as she comes from an African background. Being in NYDC has helped Sonia to step out of her comfort zone, opening up new experiences and life skills that she hopes to take into her future. Though she hopes to pursue a career in IT, she intends to keep dancing as it brings her joy.

Dayang Safiya Isabella Abang Suhaili, London

Dayang Safiya Isabella Abang Suhaili (Bella) was born in Malaysia, but has lived in London since she was 4. She has danced from an early age, attending ballet lessons at Central School of Ballet from the age of 4 and becoming part of a street dance crew at 8. Bella is a student at the Brits School and continues to train in numerous styles including ballet, contemporary and street with companies like Zoonation. At NYDC she has learnt more about herself as both a person and artist, and is excited for what Cohort 13 brings. 

Blake Rainey, Blackpool

Blake Rainey is a performer/creative from Blackpool and is a well rounded and versatile dancer however his dance background is predominately rooted in Hip-Hop styles. “NYDC has definitely furthered my understanding on how working in the industry could feel and learning from Boy Blue has made me work, develop, move and think in new ways making me want to also peruse jobs in and around dance”.

Thea Petrie, London

Thea is from London and attends The Brit School where she trains in contemporary, jazz , ballet, tap and street styles. She is also part of the street dance crew IMD Legion. Being in NYDC and working with Boy Blue has given Thea a great insight into working in Hip-Hop theatre, which is what she hopes to go onto in the future. She has also loved gaining relationships with lots of amazing dancers from across England.

Zak Michael Smith, Brighton

Zak is from Brighton and trains weekly at Alta Academy of Dance and the Rambert Pre Vocational course. His background is primarily in ballet and contemporary but he has danced a range of styles, including Ballroom and Latin. Zak’s future aspirations include studying at Rambert and becoming a professional dancer with touring companies, though he is also interested in creating and producing his own contemporary work. So far as part of NYDC he has learnt the importance of giving yourself grace to explore and the fundamentals of hip hop in more depth.

Lucca Masters, Birmingham

Lucca Masters, Birmingham​India lives in Brighton, where she dances with Project Female, focusing on commercial and hip-hop styles. She has loved her NYDC experience so far and has been inspired to push herself harder and embrace the opportunities she’s given. She hopes to take what she’s learnt and pursue dance in the future.

India Hurley, Brighton

India lives in Brighton, where she dances with Project Female, focusing on commercial and hip-hop styles. She has loved her NYDC experience so far and has been inspired to push herself harder and embrace the opportunities she’s given. She hopes to take what she’s learnt and pursue dance in the future.

Florence Hodgson, London

Florence is from London and has been dancing contemporary at The Place’s CAT* scheme since she was 11. NYDC has been an incredible opportunity that she believes will make her a more dedicated and versatile mover. Working in a setting with incredible teachers, team and likeminded people, Florence hopes the experience will prepare her for a future career in dance.

Kasra Hastings, Lewes

Kasra is from Lewes and has received the majority of his dance training at The Dance Academy, where he has focused on ballet, contemporary, freestyle disco and modern jazz. He feels that training in a new style with NYDC has allowed him to expand his knowledge of dance as an art form, while also developing his stamina and ability to pick up choreography. He hopes this will help him pursue a future in dance.

Sheldon Golding, Enfield

Sheldon is a 17 year old dancer from London. He attended weekend classes at performing arts school Platinum from the age of 6, went on to attend Italia Conti and Arts Ed full-time aged 11.  Sheldon now studies at The Brit School and trains with Zoonation and Khronos. Sheldon has already worked in West End Musicals and hopes his NYDC x Boy Blue experience will equip him with valuable skills he can use throughout a career in the performing arts industry.

Mimi Etete-Edge, Brighton

Mimi is from Brighton, where she trains in street dance, contemporary and commercial with Project Female. Being a member of NYDC has been about much more than learning choreography for Mimi. The journey has pushed her both physically and mentally, and she has loved having the opportunity to work with incredible artists and dancers. 

Dexter Duffy, Chorley

Dexter grew up in a small town in Lancashire, but has spent many years training in Manchester, London and further afield. He describes himself first and foremost as a freestyler, battler and creative, bringing together his passion for hip-hop, house and all styles of music. Dexter is really enjoying being a part of the NYDC and Boy Blue family and wants to use what he’s learned this year to chase his dream of going on tour with a hip-hop theatre show.

Dylan Dennis, Blackpool

Dylan is a Hip-Hop dancer from Blackpool. His relationship to dance has been the thing that has kept him grounded and allowed him to connect with himself and the world around him. Dylan describes dance as bringing him a sense of healing through expression and hopes to one day become a choreographer making his own work. “NYDC has helped me solidify my passion for dance and the love I feel for the culture of Hip- Hop. I will forever be grateful for the experience this company has bought to me”.

Luke Curran, Lewes

Born in Brighton and currently studying Dance at Varndean college, Luke started out training in Ballroom & Latin at his local dance school, East Sussex Dance. Having no experience with this style before, Luke has found it both challenging and rewarding working with Boy Blue. “The resources I have been given from the Boy Blue and NYDC team has been invaluable. I am so proud to represent youth dance across England, with a cohort of insanely talented individuals.”

Orson Crane, Blackpool

Orson is an 18 year old artist from Blackpool who started out going to ballet, street and contemporary classes at the age of 11. After taking a long break from dancing, he is now a young leader and mentor at House of Wingz where he trains in Hip-Hop styles such as Breaking, popping, locking and many more. Orson is determined to seize all opportunities to craft new ideas and grow as an artist, and is throwing all of his energy into getting this most from his NYDC journey this year.

Kingsley Campbell-Golding, London

Starting with breaking, dance has been Kingsley’s passion since childhood. He is currently at The BRIT School and part of Khronos Dance Company (All England Dance Champions), Birdgang, and ZooNation Youth. Kingsley’s performance credits include The RSC’s Matilda (West End) plus workshopping the choreography and featuring in the film adaptation. He is thrilled to be in NYDC and on this creative journey with Boy Blue. His goal is to become a versatile, world-class performer, inspiring audiences globally.

Sara Belal, Leeds

Sara is from Leeds and is currently training in Musical Theatre and Dance at CAPA College. With a background in commercial and jazz dance, Sara has had an amazing time learning a brand new style with NYDC. She has been able to push herself out of her comfort zone, and in doing so has learnt a lot about herself as a performer and about the dance industry. Sara has a bright future ahead of her and has gained herself a place in Urdang once she leaves NYDC.

Yunus Ayhan, Bexhill-on-Sea​

Yunus has been dancing for over a decade, specialising in hip hop styles like breaking, popping, and commercial. After winning the UDO and GDO World Championships with his crew, he decided to audition for NYDC, and was thrilled to be selected to work with Boy Blue as part of Cohort 13. Yunus’ style is inspired by music, he loves to experiment with musicality finding different approaches to hitting a beat.

Alleyne Dance (AD) is a UK based company with an international reach, founded in 2014 by award winning dancers and twin sisters Kristina and Sadé Alleyne. The choreographic aesthetic reflects the sisters diverse background in athleticism and dance training. Within their abstract contemporary construct, Alleyne Dance blend West African, Caribbean, Hip Hop, Kathak and Circus Skills, delivered as fast paced and dynamic movement. They infuse lyrical and fluid motion, layered with rhythm and textures in physically powerful, yet graceful performances.

Alleyne Dance strives for high quality and excellence as the Company delivers its three main objectives: performance, participation and development. In 2023, Alleyne Dance were winners of Black Female Icons of Lewisham with Brockley Max and The Mayor of London, and the Company also received the award for Best Independent Company at the National Dance Awards.

The 2023-2024 NYDC Guest Artistic Director is Oona Doherty.


Oona Doherty, born in 1986, is a Northern-Irish choreographer based in Belfast. She studied at St. Louise’s Comprehensive College in Belfast, at the London Contemporary Dance School, the University of Ulster and LABAN. She earned an undergraduate and a master’s degree in the Disciplines of Contemporary Dance. Since 2010, she has worked with several companies, including: T.r.a.s.h. dance/performance group (Netherlands), Abattoir Fermé (Belgium), Veronika Riz (Italy), Emma Martin/United Fall, Enda Walsh and Landmark Productions (Ireland).

She has won many awards for her choreographic work, which includes: Hope Hunt and the Ascension into Lazarus (2015), a 30-minute solo that won her the Best Performer Award at the Tiger Dublin Fringe (2016), the Aerowaves award (2016/17), the Total Theatre Dance Award and The Place Dance Award at the Edinburgh Fringe (2017); Hard to be Soft – A Belfast Prayer (2018), which won the Best Dance Show 2019 award from the English daily “The Guardian”; Lady Magma – The Birth of a Cult (2019).

She has been an associated artist as the MAC Belfast HATCH Artist (2016), an Aerowaves Selected Artist, Prime Cut REVEAL Artist (2017), Maison de la Danse Lyon and La Briqueterie Paris Associate (2017-20), and again the MAC Belfast HATCH Artist (2020).

She has collaborated on music videos with the Rubber Bandits, Girl Band, Jamie XX. She participated in the digital Dancing Nation festival promoted by BBC Arts and Sadler’s Wells with Hope Hunt (2020). Carla Holmes made a documentary about her artistic work titled Welcome To A Bright White Limbo, which won the Best Short Irish Film Award and a special mention at Tribeca in New York (2020).

Her choreographic experimentation has extended to the world of visual arts in an exhibition titled Death of the Hunter, shown at the Golden Thread Gallery in Belfast, Lothringer 13 Halle in Munich, ADC Gallery in Geneva and the Kanal – Centre Pompidou in Brussels.

Rowan, Frome

Rowan has always had a passion for physical movement. As a child he took a few ballet classes but it just didn’t click for him. However, it was not until early last year he started showing a real interest in receiving formal training. Currently training at the Bristol School of Acting on a dance course, this is only the beginning of Rowan’s dance journey.

Frank, Sheffield

Frank first started dancing formally age 11 at a local dance centre were he took classes in commercial dance. He then went onto to train with Phoenix Dance Theatre and Northern School of Contemporary Dance (CAT) where he trains in Contemporary dance and ballet. Frank is hoping to undertake a degree in musical theatre once he finishes his A levels.

Venus, London

V began dancing in primary school through ballet and jazz classes before reaching secondary where she began contemporary classes with The Place. From there, she joined their resident youth performance companies as well as the CAT scheme. Currently, she is enrolled in the BRIT school dance strand where she will continue her training for the next 2 years. This is her second year in NYDC having worked with Wayne McGregor in Cohort 11 last year.

Ernie, Porlock

Ernie is a boxer/dancer who has had an untraditional way through dance. His style is difficult to pin, but he would describe it as highly physical and sensitive to audiences in site-specific dance. He currently dances with Stacked Wonky who create experimental, site-specific performance worlds using movement, choreography, sound and objects.

Aoibh, Manchester

Aoibh started dancing ballet at the age of 3. She is currently training in contemporary and ballet at the Centre of Advanced Training at The Lowry. She is also involved in dance at her school, Altrincham Grammar School for Girls, where she is studying for A-Levels. This is Aoibh’s second year in NYDC.

Anya, Derby

Anya started dance by attending creative-contemporary classes at Déda Dance Derby, since the age of three, and has progressed to their youth dance company ‘Bounceback.’ She has recently completed the first year of the One Dance UK young creatives program. She danced at Base Studios London, through a school trip, and alongside her dancing is studying A-level Mathematics, Chemistry and Spanish .

Meeri, London

Meeri started dancing at the age of 3 and found her passion for movement while training at Tamara Rasmussen Opisto in Helsinki, Finland. Upon moving to the UK, she continued training in ballet and took contemporary dance classes at The Place, where she currently performs with Shift Youth Dance Company and trains with their CAT Programme. She also studies A-level Dance alongside Economics, Maths, and Further Maths. She finds joy and inspiration through dance.

Kitty, Haslemere

Kitty started dancing at the age of 7, taking part in Tap and Modern dance classes at her local dance school. Later she began ballet and joined the CAT scheme at The Place. She trains regularly with Phillipa Hogan’s School of Dance and CAT. This is her second year with NYDC.

Phoebe, Winchester

Phoebe started dancing at four and a half at Stagecoach, Winchester and joined Intregr8 three years later. She is now training with Hampshire Youth Dance Company and CAT at The Place. She was also part of last years Cohort.

Aleesha, Leeds

Aleesha started dancing at the age of two at Baby ballet. At the age of 7 she joined her local dance school Barbara Mann Dance academy where she did Ballet, Tap and Mordern. She later trained at Northern Ballet, whilst at Northern Ballet she discovered her love for Contemporary Dance. This led her to Phoenix Dance theatre Youth Academy.

Ruben, Tavistock

Ruben started dancing with the B company aged 8. He then moved onto working with Attik dance and Ben Dunks. Mainly focusing on contemporary but including aspects from a variety of styles. When lockdown happened Ruben stopped dancing and only recently decided to pick it up again by attending the nydc workshops and joining chhaya youth dance in Exeter. Ruben is currently studying fine art at Exeter College.

Wray, Manchester​

Wray has been dancing since she was three years old, training in ballet and tap at Glenda Ann School of Dancing. At the age of thirteen, Wray was introduced to contemporary when she joined Company Chameleon’s youth dance company. She is currently studying her A-levels in Biology, Physics, and Maths.

Jacob, Ipswich

Jacob has loved dancing for as long as he can remember, training from a young age in a variety of different styles. Having taken a break from dance to focus on sporting endeavours, he joined DanceEast’s CAT scheme last year, and has since noticed a real boost in his confidence and technique. Jacob is at his happiest when he dances, so is really excited to be a part of NYDC this year.

Charly, Leamington Spa

Charly started dancing aged three at Susan Taylor Dance Academy. She is part of Motionhouse Youth Dance Company and trains at Fiery Feet Dance Studio as well being a competitive gymnast. She was in NYDC last year with Wayne McGregor CBE and in September she is excited to be starting her full-time training in professional dance and musical theatre at Bird College.

Lina, London

Lina started her dance journey at a local afterschool club, training in tap, ballet and modern. After some time, she turned acro gymnast at Bromley Valley for the next 5 years before training in jazz and Horton at Artistry Youth Dance. Now, she dances for Shift at The Place.

Luke, Birmingham

Luke started taking street dance classes when he was four years old but had always loved moving to music. He has trained in many different styles such as Hip Hop, House, commercial, contemporary, ballet, afro fusion, jazz and more. His main dance inspirations are creatives like Paris Goebel and Les Twins and looks to be a performer and choreographer to the stars. He currently trains at Marshon Dance Company and Birmingham Ormiston Academy but has worked with company’s such as the Hippodrome, Zoonation Youth Company, Ace dance and Music and more.

Francis, Leeds

Francis has been dancing from a young age, training with MeshDance in Leeds and Stage Door Theatre School in Guiseley, and performing at venues such as Northern Ballet and National Theatre. Francis especially enjoys commercial dance styles and musical theatre, but is looking forward to learning new skills and working with other young dancers as a member of NYDC cohort 12.

Morgan, Newbury

Morgan started dancing at the age of 6, he became attached to dancing at Trinity Newbury performing arts school at the age of 12 studying the contemporary technique along side breakdance, jazz, and Horton. He teaches boys and girls dance company’s competing in competitions, he is self taught and is pushing this dream to continue is training after 6 form to pursue a career in performing arts.

Luis, Folkestone

Luis started dancing at the age of 4 at Instep Dance Company in which he found a love for contemporary dance. Luis has studied dance at GCSE level and is currently studying a double A – Level in dance.

Meg, Hertfordshire

Meg has trained in a range of styles growing up. Her training now is predominantly ballet and contemporary and she dances at Carter School of Dance, Hot House Dance, The Place’s CAT Scheme and English National Ballet’s Youth company. Currently, she is in her final year of A-levels studying geography, PE and sociology

Gilbert, Cambridge

Gilbert has been dancing since before he can remember. At 4, he began classes locally in ballet, tap and modern. He expanded his training at Bodywork in Cambridge, where he was on their Theatre School program from ages 13 to 16. To focus on hip-hop, Gilbert spent the following 2 years as a member of London-based crew, Elementz Youth. Now 19, NYDC has proved a new venture into experimental contemporary dance for him.

Otis, Dartmoor

Otis is an expressive and theatrical mover who has honed his dance skills working with Exeter CAT scheme and Chaya Youth Company. He is thrilled to be joining NYDC this year and is determined to throw himself fully into the creative process. He is also a talented mathematician and pianist.

Georgia, Penzance

Georgia has been dancing since the age of 3. She has studied ballet, tap, jazz and commercial, before finding a love for movement through contemporary dance. She is currently taking A level dance at Truro college and has attended Exeter CAT scheme for the last five years.

Megan, Durham​

Megan started training in contemporary dance at TIN Arts in Durham when she was 2, later joining Fishburn Youth Dance and Drama when she was 10, where she trained in ballet, modern and tap. At age 12 Megan was awarded a place at the Dance City CAT scheme in Newcastle. She now trains solely in contemporary and ballet alongside her A-levels in Maths, Religious Studies and Textiles.

Monét, London

Monét’s experience with dance started with ballet when she was three years old at Siegeris Dance Company. She continued to practice ballet for thirteen years until they joined ‘Artistry Youth Dance Company’ in 2020, where she practiced Horton technique and jazz. Monét currently trains at ‘Twiin dance company and agency’ in street dance and modern, as well as practicing afro and hip hop at ‘Rhythm Masters’.

Rosa, Leeds

Rosa started their dance training at RJC learning Soca when they were 4. They then moved on to dance for Gipton Together in primary school, where they learned commercial dance styles and performed competitively. They started the CAT scheme at NSCD when they were 13 whilst also studying BTEC dance in highschool, and now train in contemporary dance with Phoenix youth Academy Seniors alongside their A-levels.

Daisy, Ashford

Daisy has been dancing since she was three, with the Margaret Giles School of Dancing. She achieved GCSE Grade 9 from the Royal Academy of Dance. She is currently studying UAL Level 3 Dance at Canterbury College during the week and training on the CAT Program at Trinity Laban at weekends. Daisy has experience is lots of dance styles, including Contemporary, Ballet, Hip-Hop and Tap.

Ayuna, London

Ayuna grew up in Siberia, Russia, but moved to the UK aged 15. She is a talented athlete and musician, and, as a child, enjoyed ballroom dancing. Over the past few years, Ayuna has taken every possible opportunity to train in different dance styles and develop her choreography skills, working with companies such as Step Change Stusios, Leicester ProDance, Propel Dance, and One Dance UK, as part of their Young Creatives Programme. She is over the moon to be a part of NYDC and can’t wait to take Cohort 12’s new work on tour.

Matthew, Durham

Matthew started dancing with Tin Arts when he was 17 with a mixed ability group of contemporary dancers.
They have reached the U Dance finals 3 times in a row. Matthew has skills in ballet, jazz, Bollywood and more.
Matthew has been with NYDC for one year touring the country.

Fue, Huddersfield​

Fue has been a dancer for the most part of her life. She started at a local dance school, learning Ballet, Tap, Modern, Jazz and Acro. Then in 2020, Fue joined Phoenix Youth Academy and the CAT programme at Northern School Of Contemporary Dance. Since then, Fue has been working to explore more contemporary movement and techniques.

Roselynn, Manchester

Roselynn started dancing in her bedroom as a self taught dancer. She auditioned for the Lowry CAT scheme in 2022 and is in her second year of training. She has experience in Contemporary, Commercial, and a bit of Kathak but would love to dance every style if she could.

James, Chesterfield

James (Slayer) started dancing when he was 8. He entered his first battle at 9 and since then has won numerous titles in popping and all styles categories. At 15 he became the youngest ever open world modern jive champion. James trained for two years on the Swindon Urban Dance CAT programme and two years at Birmingham contemporary CAT programme.